Madhubani paintings originated from the Mithila region of Nepal and India. It is practiced mainly by the women of the towns to decorate their mud huts on festive occasions. Art has been changing since ancient times and nowadays painting has been done on canvas, cloth and paper. With the passage of time, the painting began to become a piece of merit and extraordinary occasions. Gradually, Indian painting crossed conventional boundaries and began to achieve manpower authorities, both nationally and globally.
The ladies of this district rehearse expressions of society since the 19th century. Moms have been passing on their knowledge and lessons to their little ones and showing them the aesthetic examples and minimal colors known to the outside world.
The making
Madhubani paintings are created from natural colors such as ochre, charcoal soot, flowers, turmeric, sandalwood, apple and banyan leaves, and powdered rice paste. The painting is finished with the help of branches, fingers and brushes.
Painting Themes
The portrayed are designed in geometric shapes. The most drawn subjects were from nature, such as the sun, moon, tulsi sacred plants, flowering plants, birds and animals to fill the gaps between the images. Along with Hindu deities like Shiva, Rama, Krishna, Durga, Lakshmi and Saraswati During some important and auspicious events like marriages, childbirth and festivals like Holi, Diwali, Durga Pooja, Surya Pooja etc.
3 different styles of Madhubani painting
The Madhubani art form is divided into three famous styles based on their caste system.
1. Brahman: Being the highest in the caste, Brahmin ladies were allowed to design and color their paintings with bright shades. Realization of the religious portrait of god and goddesses. Due to their easy access to all the sacred texts, it was much easier for them to make religious and mythological motifs.
2. Kayastha: The Kayasthas are second in the caste system after the Brahmins. As we all know, the Kayastha are believed to be great warriors and brave. They got the style of painting and showing fertility. Animals and flowering plants, including sacred animals, birds, and plants such as the lotus, parrot, peacock, fish, and turtle.
3. Dusadh: The third and lowest caste in the hierarchy of the caste system. Dusadh people were not allowed to use any kind of religious motifs in their paintings. His style of painting is also called tattoo painting or Godhana. Regular vegetation themes can be found in his specialty. Over time, as social recognition widened, they have now begun painting subjects of divine gods and goddesses. And today his use of dynamic tones is very close to the Brahmin style of painting.
Advance
All known as the ladies’ trade, today’s innovative world sees a sexual orientation, moving where men are seen adding their imaginative touch to this conventional artistic expression. In today’s circumstances, the masters of the form are reversing the rich material legacy of this workforce and reviving this craft by delineating Madhubani sarees, dupattas and Indo-Western dresses.
In various fashion weeks, designers have showcased a collection full of shades from the contours of Madhubani. From sarees, salwar kameez, maxi skirts and palazzo jeans are beautifully crafted in Madhubani’s workmanship.
Unsurprisingly, this craft was made to beautify and add nuance to homes. In any case, with the evolution of the times, it is currently performed even on high-quality papier-mâché pieces and dividing works of art. Paper holders, magazine box, games like Ludo and ornament boxes made of papier-mâché, bookmarks, stamps and wall hangings are all painted with Madhubani outlines.
Investment of foreign scholars in the promotion of Madhubani painting
Foreign scholars have played an important role in advancing art painting globally and it was also gigantic. The first person to visit Mithila and promote the art was the French journalist and author Yves Vequad, in the mid-1970s. His exploration led to a book and film, The Ladies Painters of Mithila. He was soon followed by the German anthropologist and folklorist Erika Moser. Moser and Raymond Lee Owens, an American who created the Mithila Master Craftsmen Association in 1977. The association still operates and gives Mithila artisans a standard salary through introductions and looks after collectors and craft exhibits . In Japan, there is a gallery called ‘Mithila Historical Center which has more than 850 Madhubani artworks.
fascinating news
The legacy of Madhubani’s workmanship is no less than 2,500 years old; However, it is during the last decade that this craft has greatly improved its quality and is being praised in the world of design. The specialty of Madhubani paintings and the creativity of the artist is recognized in India as the most appreciated by people from all over the world.